By Brent C. Sleasman
The existence and paintings of Albert Camus presents perception into how you can navigate via an absurd ancient second. Camus's position as a journalist, playwright, actor, essayist, thinker, and novelist allowed him to interact a posh global in quite a few capacities and supply an array of interpretations of his time. Albert Camus offers perception into how you can reap the benefits of hearing correct voices from earlier generations. you will need to enable the time to familiarize yourself with those that sought solutions to comparable questions which are being requested. For Camus, this intended studying how others engaged an absurd ancient second. For these looking anwers, this implies hearing the voice of Albert Camus, as he represents the nearest ancient standpoint on the right way to make feel of a global that has noticeably replaced seeing that either global Wars of the 20th century. this can be an intentional selection and in basic terms comes via an funding of time and effort within the principles of others. just like Albert Camus's time, this can be an age of absurdity; an age outlined through contradiction and lack of religion within the social practices of the prior. whilst residing in this sort of time, you can still be drastically trained by way of looking for these passionate voices who've came across a manner regardless of comparable conditions. Many voices from such moments in human heritage supply first-hand insights into the right way to navigate any such time. Camus presents an instance of anyone operating from a optimistic viewpoint, as he used to be prepared to attract upon the concept of many contemporaries and nice thinkers from the earlier whereas enticing his personal time in heritage. because the first book-length examine of Camus to situate his paintings in the examine of verbal exchange ethics and philosophy of communique, Brent C. Sleasman is helping readers reinterpret Camus' paintings for the twenty-first century. in the advent, Camus' exploration of absurdity is located as a metaphor for the postmodern age. the 1st bankruptcy then explores the communicative challenge that Camus introduced with the e-book of The Fall--a challenge that also resonates over 50 years after its preliminary ebook. within the chapters that persist with different metaphors that emerge from Camus' paintings are reframed for you to help the reader in responding to the issues that emerge whereas dwelling of their personal age of absurdity. every one metaphor is rooted within the modern scholarship of the communique self-discipline. via this examine it turns into transparent that Camus was once an implicit thinker of conversation with deep moral commitments. Albert Camus's Philosophy of conversation: Making experience in an Age of Absurdity is a crucial publication for an individual drawn to knowing the communicative implications of Camus' paintings, in particular upper-level undergraduates, graduate scholars, and school.
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Extra resources for Albert Camus's Philosophy of Communication: Making Sense in an Age of Absurdity
In Dwell in Peace, Arnett wrote, “the human must stand her own ground yet be open to the other in a single movement” (114). Arnett, as coauthor with Pat Arneson, emphasized the contradictory nature of Embedded Rebellion 41 the unity of contraries: “The complexity of life for Buber is lived out in the confusion of contradictions, not in the certainty of YES or NO” (142). Communication scholars who are committed to a constructive ethic for living recognize that in order to take any action at all, one must be willing to make a choice when confronted with unpredictability.
Albert Camus’s novel The Fall provides a fictional account of existential homelessness and presents a vivid image of what this might look like in an age of absurdity. THE FALL The Fall was first published in 1956; it was the last novel Camus completed and published during his lifetime. Written in six unnumbered sections, The Fall is told as a monologue by the central character, Jean-Baptiste Clamence, who considers himself a “judge-penitent” and invites his conversation partner (listener) and the reader to interact with his lengthy confession as he tells his story.
Who determines or controls this standard? What happens when the standard changes or one’s interpretation of the standard changes? In a notebook entry from June 17, 1947, Camus wrote, “Third Series. Judgment” (Notebook V 158). Camus understood that taking action in an age of absurdity would provoke consequences or judgment for those actions. Although Camus’s original goal was to include the novel The First Man in his cycle exploring judgment, he did not have the opportunity to complete this text during his lifetime.
Albert Camus's Philosophy of Communication: Making Sense in an Age of Absurdity by Brent C. Sleasman