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82 In particular, the successful presentation of classical music to the whole spectrum of servicemen (and -women) in the context of USO tours became a badge of honor for musicians engaged in the more official duty of war entertainment. Although the USO was a civilian agency, its activities were inextricably intertwined with the American military. Chartered in February 1941, it replaced the diverse and often competing efforts of six agencies (including the YMCA and the National Jewish Welfare Board) that performed morale-boosting work for the armed forces after the reinstatement of the draft in 1940.

Nor was Shumsky the only musician to have had a solo career before enlisting. 44 The Navy Symphony Orchestra’s programs followed the well-trod path of mid-twentieth-century urban concert seasons. The majority of concerts consisted of an opening orchestral piece, a concerto, and a symphony, pieces almost always drawn from the long nineteenth century. Works by Johann Sebastian Bach were as rare as those by Roger Sessions. Special programs 26 | c h a p t e r 1 F i g u r e 1 . S. Navy Band Symphony Orchestra, in uniform (1943).

Many of us,” he recalled, “were bewildered and frightened, desperate for solace and despairing at our helplessness. 69 Nevertheless, the Pinza affair, following hard on Pearl Harbor, reflected the ever-present anxiety about a fifth column of enemy aliens and spies and the fear of an attack on mainland America, in those early months of the war: Alfred Hitchcock’s movie Saboteur, for example, was released in April 1942, just over a month into Pinza’s detention. Even before Pearl Harbor, music’s role in the expanding war in Europe had become a topic of broad interest for American music lovers.

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Warplanes of the Luftwaffe. Combat Aircraft of Hitler’s Luftwaffe 1939-1945 by David Donald


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